Bibliografía en DMT (¡TODO!)

Un largo listado, que incluye las referencias citadas en las páginas y artículos de terapiacreativa.es

• Adler, J. (1996). The Collective Body. In P. Pallaro (Ed.), Authentic Movement, Vol I. London: Jessica Kingsley Publishers, 1999. 
  
• Adler, J. (1987) Who is the witness?, en Pallaro, P. (Ed.), Authentic Movement, Vol I., London: Jessica Kingsley Publishers, 1999.
  
• Adler, J. (2002) The Mandorla and the Discipline of Authentic Movement. Obtenido el 09/09/14 en http://www.disciplineofauthenticmovement.com/The-Mandorla-and-the-Discipline-of-Authentic-Movement.pdf
• Bagnoli, A. (2009). Beyond the standard interview: the use of graphic elicitation and arts-based methods. Qualitative Research , 9 (5), 547–570.
  
• Barry, D. (1996). ARTFUL INQUIRY: A SYMBOLIC CONSTRUCTIVIST APPROACH TO SOCIAL SCIENCE RESEARCH. Qualitative Inquiry , 2 (4), 411-438.
  
• Bloom, K. (2005). Articulating Preverbal Experience. In N. Totten (Ed.), New Dimensions in Body Psychotherapy (pp. 56-70). London: Open University Press.
  
• Bloom, K. (2006). The embodied self. London: H. Karnac.
  
• Booth, A., Trimble, T., & Egan, J. (2010). Body-Centred Counter-Transference in a Sample of Irish Clinical Psychologists. The Irish Psychologist , 12, 284-289.
• Carbonell, M. R. (2008). Danza Movimiento Terapia, la gestación del movimiento . [Presentación Power Point] Barcelona: Pompeu Fabra.
  
• Chester, R. (2008, 08 03). Countertransference: on listening to the therapist's responses in analytic work". Retrieved 03 21, 2011, from Adelaide Institute of Psychoanalysis: http://www.aipsych.org.au/articles/aip_countertransference.pdf
  
• Cole, A. L., & Knowles, J. G. (2008). ARTS-INFORMED RESEARCH. In A. L. Cole, & J. G. Knowles (Eds.), Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (pp. 55-70). London: Sage Publications.
  
• Diamond, N. (2001). Towards an interpersonal understanding of bodily experience.Psychodynamic Practice , 7 (1), 41-62.
  
• Dosamantes-Alperson, I. (1984). Experiential Movement Psychotherapy. In P. Lewis (Ed.),Theoretical Approaches in Dance- Movement Therapy , Vol.II (pp. 145-163). Iowa: Kendal /Hunt Publising Company.
  
• Dosamantes-Beaudry, I. (2007). Somatic Transference and Countertransference in Psychoanalytic Intersubjective Dance/Movement Therapy. American Journal of Dance Therapy , 29 (2), 73-89.
  
• Fenner, P. (1996). Heuristic research study: Self‐therapy using the brief image‐making experience.The Arts in Psychotherapy , 23 (1), 37-51.
  
• Fiedler, I. (2008). The Balint group model applied to dance/movement therapy supervision. In H. Payne (Ed.), Supervision of dance movement psychotherapy: A practitioner's handbook (pp. 118-136). NY: Routledge/Taylor & Francis.
  
• Field, N. (1996). Breakdown and Breakthrough, Psychotherapy in a new dimension. London: Routledge.
  
• Field, N. (1989). Listening with the body: An exploration in the countertransference. British Journal of Psychotherapy , 5 (4), 512-522.
  
• Fischman, D. (2005). Danza Movimiento Terapia. "Encarnar, enraizar y empatizar. Construyendo los Mundos en que vivimos". I Congreso de Artes del Movimiento. Buenos Aires: Instituto Nacional del Arte.
  
• Fischman, D. (2005). La mejora de la capacidad empática en profesionales de la salud y la educación a través de talleres de Danza Movimiento Terapia. (Tesis Doctoral) Argentina: Universidad de Palermo. Obtenida en 22/03/2011 en http://www.brecha.com.ar/tesis_doctorado_dra_diana_fischman.pdf.
  
• Fischman, D. (2008). Relación terapeutica y empatía kinestésica. In S. Chaiklin, & H. Wengrower (Eds.), La vida es danza: el arte y la ciencia en la Danza Movimiento Terapia (pp. 81- 96). Barcelona: Gedisa.
  
• Forester, C. (2007). Your own body of wisdom: Recognizing and working with somatic countertransference with dissociative and traumatized patients. Body, Movement and Dance in Psychotherapy , 2 (2), 123–133.
  
• Fuchs, T. (2004). The memory of the body. Unpublished Manuscript. Retrieved 03 11, 2011, from Universitätsklinikum Heidelberg: http://www.klinikum.uni-heidelberg.de/fileadmin/zpm/psychatrie/ppp2004/manuskript/fuchs.pdf
  
• Fuchs, T. (2011). The Tacit Dimension. Philosophy, Psychiatry, & Psychology , 8 (4), 323-326.
  
• Gabbard, G. O. (2001). A Contemporary Psychoanalytic Model of Countertransference. JCLP/In Session: Psychotherapy in Practice , 57 (8), 983–991.
  
• Gabbard, G. (2002). Psiquiatría psicodinámica en la práctica clínica. (3ª ed.). Madrid: Médica Panamericana.
  
• Gallagher, S. (1986). Lived Body and Environment. Research in Phenomenology , 16 (1), 139-170.
  
• Gallese, V. (2007). Commentary on "Toward a Neuroscience of Empathy: Integrating Affective and Cognitive Perspectives". Neuro-Psychoanalysis , 9 (2), 146-151.
  
• Gallese, V. (2003). The roots of empathy: The shared manifold hypothesis and the neural basis of Intersubjectivity. Psychopathology , 36 (4), 171-180.
  
• García, M. (2006). El ritmo de los procesos mentales y la presencia psicocorporal del terapeuta.“Ier Congreso Nacional de Terapias Creativas”, Facultat de Psicologia, Ciències de l´Educació i de l´Esport. Barcelona: Blanquerna Universitat Ramon Llull.
  
• Geller, S. M., & Greenberg, L. S. (2002). Therapeutic presence: Therapists' experience of presence in the psychotherapy encounter. Person-Centered and Experiential Psychotherapies , 1 (1-2), 71-86.
  
• Greatex, T. (2002). Projective Identification: How does it work? . Neuro-Psychoanalysis. , 4 (2), 187-197.
  
• Hackney, P. (1998). Making Connections: Total body integration through Bartenieff Fundamentals.NY: Routledge, 2002.
  
• Hervey, L. W. (2000). Artistic Inquiry in Dance/ Movement Therapy: Creative alternatives for research.Springfield, IL: Charles C Thomas.
  
• Hinshelwood, R. (2004). Book Review: LOOKING FOR GROUND: COUNTERTRANSFERENCE, EPISTEMOLOGY AND THE PROBLEM OF VALUE. J Am Psychoanal Assoc (51), 718-722.
  
• Hinshelwood, R. (1999). Countertransference. The International Journal of Psychoanalysis , 80 (4), 797-818.
  
• Hinshelwood, R. (1995). The Social Relocation of Personal Identity as Shown by Psychoanalytic Observations of Splitting, Projection, and Introjection. Philosophy, Psychiatry, & Psychology , 2 (3), Philosophy, Psychiatry, & Psychology, Volume 2, Number 3, September.
  
• Jacobs, T. J. Countertransference Past and Present: a review of the concept. In R. Michesl, L. Abensour, C. L. Eizirik, & R. Rusbridger (Eds.), Key papers on countertransference. Karnac.
  
• Kestenberg, J. A., Loman, S., Lewis, P., & Sossin, M. (Eds.). (1999). The Meaning of Movement: Developmental and Clinical Perspectives of the Kestenberg Movement Profile. NY: Brunner-Routledge.
  
• Koch, S. C. (2007). Defenses in movement: Video-analysis of conflict patterns in group communication. Body, Movement and Dance in Psychotherapy , 2 (1), 29 — 45.
  
• Koch, S. C., & Fischman, D. (2011). Embodied Enactive Dance/Movement Therapy. American Journal of Dance Therapy (33), 57–72.
  
• Koch, S. C., Cruz, R. F., & Goodill, S. W. (2001). The Kestenberg Movement Profile: Performance of Novice Raters. American Journal of Dance Therapy , 23 (2), 71-87.
  
• Krueger, D. (2002). Psychodinamic Approaches to Changing Body Image. In T. Cash, & T. Pruzinsky, Body Image: A Handbook of Theory, Research, and Clinical Practice (pp. 461-468). NY: The Guilford Press.
  
• Laban, R. (1975). Danza Educativa Moderna (3ª ed.). Barcelona: Paidós, 1993.
  
• Laplanche, J., & Pontalis, J. (1967). Contratransferencia. In J. Laplanche, & J. Pontalis, Diccionario de psicoanálisis; bajo la dirección de Daniel Lagache (pp. 102-103). Barcelona: Paidós, 1996.
  
• Leal, A. (2006). Simbolización gráfica: medio de expresión e instrumento del pensamiento. Rev. Infancia y Aprendizaje , 29 (2), 203-218.
  
• Lewis, P. (1984). Somatic Countertransference: The inner Pas de Deux. In P. Lewis (Ed.),Theoretical Approaches in Dance- Movement Therapy , Vol.II (pp. 181-192). Iowa: Kendal /Hunt Publising Company.
  
• Loman, S., & Sossin, M. (2008). Introducción al Perfil de Movimiento de Kestenberg y la DMT. In H. Wengrower, & S. Chaiklin (Eds.), La Vida es Danza: El arte y la ciencia en la Danza Movimiento Terapia (pp. 259-288). Barcelona: Gedisa.
  
• Lyons-Ruth (Process of Change Study Group, Boston). (1998). IMPLICIT RELATIONAL KNOWING: ITS ROLE IN DEVELOPMENT AND PSYCHOANALYTIC TREATMENT. INFANT MENTAL HEALTH JOURNAL , 19 (3), 282–289.
  
• McNiff, S. (2008). Art-based research. In J. Knowles, & A. Cole (Eds.), Handbook of the arts in qualitative research: Perspectives, methodologies, examples, and issues. Thousand Oaks, CA: Sage Publications.
  
• Meekums, B. (2002). Creative Therapies in Practice: Dance Movement Therapy. London: Sage Publications.
  
• Meekums, B. (1993). Research as an act of creation. In H. Payne (Ed.), Handbook of inquiry in the arts therapies: one river, many currents (pp. 130-137). London: Jessica Kingsley Publishers.
  
• Meekums, B. (2007). Spontaneous symbolism in clinical supervision: Moving beyond logic. Body, Movement and Dance in Psychotherapy , 2 (2), 95-107.
  
• Meekums, B., & Payne, H. (1993). Emerging Methodology in Dance Movement Therapy Research. In H. Payne (Ed.), Handbook of inquiry in the arts therapies: one river, many currents (pp. 164-176). London: Jessica Kingsley Publishers.
  
• Moustakas, C. (1990). Heuristic Research. London: Sage Publications.
  
• Orbach, S. (2003). The John Bowlby Memorial Lecture 2003: Part I: There is no such thing as a body. British Journal of Psychotherapy , 20 (1), 3–16.
  
• Orbach, S. (2004). What can we learn from the therapist’s body? . Attachment and Human Development , 6 (2), 141-150.
  
• Pallaro, P. (1996). Self and body‐self: Dance/movement therapy and the development of object relations. The Arts in Psychotherapy , 23 (2), 113–119.
  
• Pallaro, P. (2007). Somatic countertransference: The therapist in the relationship. In P. Pallaro (Ed.), Authentic Movement (pp. 176–193). London: Jessica Kingsley Publishers.
  
• Panhofer, H. (2005). "Come back, come back!": apegos rotos y sus implicaciones clinicas en Danza Movimiento Terapia. In H. Panhofer (Ed.), El cuerpo en Psicoterapia. Teoría y práctica de la Danza Movimiento Terapia (pp. 99-130). Barcelona: Gedisa.
  
• Panhofer, H. (2009). The space between body and mind. New techniques for DMT/P supervision - a practical experience . Manuscrito presentado en el Taller de mismo nombre en la 10ª Conferencia de ECARTE. London: Central School of Speech and Drama, University of London.
  
• Panhofer, H. (2008). Forgotten moments in supervision. The challenge for their recuperation. . InSupervision of dance movement psychotherapy. A practitioner’s handbook. London: Routledge.
  
• Panhofer, H., & Payne, H. (2009). The space between body and mind. New techniques for DMT/P supervision - a practical experience (abstract). The Space Between: the potential for change. Conference handbook and abstract book. (p. 46). London: 10º European Arts Therapies Conference ECARTE.
  
• Panhofer, H., Payne, H., Meekums, B., & Parke, T. (2011). Dancing, moving and writing in clinical supervision? Employing embodied practices in psychotherapy supervision. The Arts in Psychotherapy (38), 9–16.
  
• Payne, H. (2006). Tracking the web of interconnectivity. Body, Movement and Dance in Psychotherapy , 1 (1), 7-15.
  
• Piha, H. (2005). INTUITION: A BRIDGE TO THE COENESTHETIC WORLD OF EXPERIENCE. Journal of the American Psychoanalytic Association , 24-49.
  
• Racker, H. (1948). Estúdio V: La neurosis de contratransferencia. In H. Racker (Ed.), Estúdios sobre tecnica psicoanalitica (pp. 127-152). Buenos Aires: Paidós.
  
• Racker, H. (1953). Estúdio VI: Los significados y usos de la contratransferencia. In H. Racker (Ed.),Estúdios sobre tecnica psicoanalitica (pp. 153-202). Buenos Aires: Paidos.
  
• Ricaud, M. M. (2002). Bal int Group. In A. d. Mijolla (Ed.), International Dictionary of Psychoanalysis(1ª en inglés ed.). NY: Macmillan Library Reference, 2005.
  
• Rick, C. (2001). Movement and Meaning. Psychoanalytic Inquiry , 21 (3), 368 — 377.
  
• Robbins, A. (1998). Therapeutic presence: bridging expression and form. London: Jessica Kingsley Publishers.
  
• Ross, M. (2000). Body talk: Somatic countertransference . Psychodynamic Counselling , 6 (4), 451-467.
  
• Rowan, J. (1998). Linking: Its place in therapy. International Journal of Psychotherapy , 3 (3), 245–254.
  
• Samuels, A. (1985). Countertransference, the “mundus imaginalis” and a research project. .Journal of Analytical Psychology , 30 (1), 47-71.
  
• Sassenfeld, A. (2008). De la contratransferencia somática a la comunicación implícita en la psicología analítica. Aportes en Psicología Clínica Analítica Junguiana , II, 80-94.
  
• Schore, A. N. (2005). A neuropsychoanalytic viewpoint: Commentary on paper by Steven H. Knoblauch. Psychoanalytic Dialogues , 15 (6), 829–854.
  
• Schore, A. N. (2008). Una perspectiva neuropsicoanalítica del cerebro/mente/cuerpo en psicoterapia. UCES Subjetividad y Procesos Cognitivos , Noviembre, 144-168.
  
• Shaw, R. (2004). The embodied psychotherapist: An exploration of the therapists’ somatic phenomena within the therapeutic encounter. Psychotherapy Research , 14 (3), 271–288.
  
• Siegel, E. V. (1996). Countertransference During the Psychoanalytical Treatment of Incest, Real and Imagined. NJ: The Analytic Press, Inc.
  
• Siegel, E. V. (1984). Dance/Movement Therapy: Mirror of ourselves. New York: Human Sciences Press.
  
• Soth, M. (2002). A Response to Maggie Turp’s paper from a body psychotherapy perspective.European Journal of Psychotherapy and Counseling , 5 (2), 121–133.
  
• Soth, M. (2005). Embodied countertransference. In N. Totton (Ed.), New Dimensions in Body Psychotherapy (pp. 40-55). Berkshire, UK: Open University Press.
  
• Soth, M. (2004). Embodied countertransference. Unpublished manuscript. Retrieved 11 02, 2010, from Worcester Therapeutic Training Network: http://www.wttn.org.uk/ecthandout.pdf
  
• Soth, M. (2006). What therapeutic hope for a subjective mind in an objectified body? In J. Corrigal, H. Payne, & H. Wilkinson (Eds.), About a Body. Working with the Embodied Mind in Psychotherapy.London: Routledge.
  
• Spitz, R. (1983). Diacritic and coenesthetic organizations. In R. Emde (Ed.), Dialogues from Infancy(pp. 202-214). NY: International Universities Press.
  
• Stanton-Jones, K. (1992). An Introduction to DMT in Psychiatry. London: Routledge.
  
• Stern, D. N. (1985). El Mundo interpersonal del infante : una perspectiva desde el psicoanálisis y la psicología evolutiva. Buenos Aires: Paidós, 1991.
  
• Stern, D. (2004). The Present Moment in Psychotherapy and Everyday Life. NY: W. W. Norton & Company.
  
• Stone, M. (2006). The Analyst’s body as a tuning fork: Embodied resonance in countertransference. Journal of Analytical Psychology , 51 (1), 109–124.
  
• Taylor, J. (2007). Authentic movement: The body's path to consciousness. Body, Movement and Dance in Psychotherapy , 2 (1), 47-56.
  
• Turp, M. (2002). Acting, feeling and thinking: psychoanalytic psychotherapy with Tracey. European Journal of Psychotherapy & Counselling , 5 (2), 103 — 119.
  
• Vulcan, M. (2009). Is there any body out there?: A survey of literature on somatic countertransference and its significance for DMT. The Arts in Psychotherapy , 36, 275–281.
  
• Weissman, Betina. (2013) "Movimiento Auténtico: mover el cuerpo, mover el alma", en betinawaissman.blogspot.com.es
  
• White, E. (2008). Las teorías del movimiento de Laban: la perspectiva de una danzaterapeuta. In S. Chaiklin, & H. Wengrower (Eds.), La vida es danza: el arte y la ciencia en la Danza Movimiento Terapia (pp. 239-258). Barcelona: Gedisa.
  
• Winnicott, D. (1947). El odio en la contratransferencia. In D. Winnicott, Escritos de pediatría y psicoanálisis (pp. 267-279). Barcelona: Laia, DL 1981.
  
• Winnicott, D. (1949). La mente y su relación con el psiquesoma. In D. Winnicott, Escritos de pediatría y psicoanálisis (pp. 331-346). Barcelona: Laia, DL 1981.
  
• Winnicott, D. W. (1960). La Contratransferencia. In D. W. Winnicott, Los procesos de maduración y el ambiente facilitador (pp. 207‐216). Barcelona: Paidos, 1992.
  
• Winnicott, D.W. (1967) Papel de espejo de la madre y la familia en el desarrollo del niño, en “Realidad y Juego”, Buenos Aires Granica, 1972.Ylönen, M. E. (2003). Bodily Flashes of Dancing Women: Dance as a Method of Inquiry. Qualitative Inquiry , 9, 554-568.
  
• Young, C. (2006). One hundred and fifty years on: The history, significance and scope of body psychotherapy today. Body, Movement and Dance in Psychotherapy, , 1 (1), 17 — 28).